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North of the wall there is a form of anarchy amongst the Free Folk or Wildlings who do not recognise the state and do not live and urban life.

Indeed, given the numbers of criminals at the time this is set, the Night Watch is little more than a gang. The repressed, alienated, forgotten and dispossessed are north of the wall (or were), a magical fortification ironically manned by the Nights Watch, an organisation of those who have been outlawed or rejected by the Crown Lands themselves.

Ironically only the intervention of the High Sparrow and a religious extremist movement provides an alternative to birth as a means to attain power, and this is done by being more extreme than anyone else. Where, one might ask, are the people in all of this?ДЄpart from those who are casually killed, most people appear in the show as soldiers, angry mobs or just as pawns in the games of the ruling class. Even the more positive characters in the struggle like Jon Snow are open to using violence. Stannis Baratheon, for example, executes political opponents using dark magic. Indeed pretty much anyone who is interested in the power of the throne exhibits increasing insanity. Insanity inter-breeding and incest haunts the ruling class of Westeros, which produces calculating manipulators like Margery Tyrell and homicidal maniacs like Joffrey Baratheon. His accidental death on a boar hunt precipitates a catastrophic political and institutional collapse that sets off a bloody competition of the Iron Throne amongst the rapacious, decidedly flawed and borderline insane ruling class of Westeros. Politically, at this critical moment, Westeros is ruled by Robert Baratheon, who, it is fair to say, has not been the most diligent of Kings.

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The current series is set at the onset of such a long winter. The climate is essentially European but varies between extreme cold in the North and a Mediterranean climate in the South and Westeros is subject to epochal winters and summers lasting for years. Much of the geography of Westeros is the British Isles, including the wall. The civilisation of Westeros is clearly based on the European Middle Ages, specifically as George martin has stated, the Wars of the Roses in Fifteenth century England. So why so much violence and what does it tell us about the political institutions that support such a high level of violence? In fact by the end of the seventh season more than half of the important characters had died, most of them violently. Clearly death is a key element of the show, and no character is safe. All but two were due to injury, burns or poisoning with most dying as a result of assault (63%) and war (24%). A recent academic paper analysed the narratives of 330 named characters over the life of the show. Given the informal motto of the show вЂValar morghulisвЂ™ (вЂall men must dieвЂ™), this is by no means a straightforward exercise. As the final, long-awaited, season of Game of Thrones gets underway, there is likely to be a flurry of speculation about who is likely to win.